behind the song
“She couldn’t even say it — she couldn’t say ‘I drive his truck.’ She was like, ‘no, I don’t want to do it today.’ And I was like, ‘oh yeah we are!'”
Songwriter Chase Rice and both Tyler Hubbard and Brian Kelley of Florida Georgia Line go ‘behind the song’ and talk about the origins of FGL’s first No. 1 hit “Cruise,” which has been nominated for Two ACM Awards.
“It was our first single for our sophomore release, which some say is the most scrutinized piece of music an artist ever puts out,” Kimberly Perry told Radio.com. Now the video for the song has been nominated for an ACM Award.
Songwriter Jimmy Robbins and singer Keith Urban talk about the origins of “We Were Us,” the No. 1 duet between Urban and Miranda Lambert that has been nominated for Vocal Event of the Year at the ACM Awards.
“‘Boys Round Here’ pretty much represents who I am as a human being,” Shelton said of his ACM Award-nominated hit. Songwriter Dallas Davidson and producer Scott Hendricks offer details on the story behind the song.
“I feel like women in my grandmother’s generation were expected to put on a pretty face and not really show their crazy sides,” Kacey Musgraves said, describing the ideas behind the three-time ACM-Award nominated song she cowrote with Brandy Clark and Shane McAnally. “Now, it’s a bit different.”
It’s a moody anthem that serves as the closing song on his 2013 album’ Two Lanes of Freedom.’ McGraw was drawn to it’s “timeless” quality.
“When we were about to pick the first single I really lobbied for ‘Merry Go ‘Round’ because I’m out there every night and I can tell you, hands down this is the one people are connecting with. I’m really glad that was my first thing to say to the world.”
“‘Crazy’ was just my way of saying, ‘That’s real love. When you feel like you’ve gone crazy. That’s when you’ve actually gotten something right.’”
Frontman Ezra Koenig on about how their hit single from the GRAMMY-nominated ‘Modern Vampires of the City’ went through a rough ugly duckling stage until they figured out that vocal effect—you know the one.